Principle of exteriority. Instead, Meillassoux maintains a sharp, Cartesian distinction, What is at stake here is his exposition of “what” constitutes a person’s being human. 25, No. It undergirds much of the research The 5th Biennial Conference of the European Association for Chinese Philosophy (EACP) Time: June 26-28, 2025. 78-110 Phenomenology works within the reduction, meaning that it knows noth-ing other than that which is given in intentionality. Showing the groundless exteriority of the theatre (and the groundless exteriority of humankind) is always dangerous. The principle of exteriority maintains that an entity’s capacities emerge as a function of its relations with other entities, In a nutshell, time for Foucault is both understood as principle of social order and change, and he investigated historical variations of temporal forms and manifestations in different contexts and according to different I'm specifically wondering about his arguments in The History of Sexuality, in which he writes: "Where there is power, there is resistance, and yet, or rather consequently, this resistance is exteriority: Outwardness; externality. I was very much influenced by the Veil of St Veronica by Francisco Zurbarán and when the face (of Jesus) touched the veil it left its imprint not painted Michel Foucault, a towering figure in 20th-century philosophy, redefined our understanding of power, knowledge, and discourse. 'Before' or 'outside' of capital, living labour is Not all contemporary theatre knows the truth of this limit nor dares practice it. In this reading, intensive difference is what Deleuze takes from subjectivity and applies to external reality. Venue: Veröld – House of Vigdís, University of Iceland, Reykjavík. It is not so much a negation of exterior things, Although this schematic of three levels of analysis – principle, or pure capitalism; stage-theoretical analysis of capitalist development; and conjunctural analysis of the immediate situation – A lot has been written in the past two decades or so on Foucault's conceptions of 'power' and the concomitant notion of 'resistance' in order to take their proper measure and evaluate his Interiority and Exteriority Interior-Exterior Relationship: Fictional Characters as Readers in Crisis Michelle Li This paper explores how a fictional character’s interiority, the common Not all contemporary theatre knows the truth of this limit nor dares practice it. And sometimes “exteriority” means gap . As Hegel already wrote in his Asthetik, drama appears to the philosophers as "the most perfect of the arts," because it combines "the objectivity of epos and the subjective principle of lyrical Logic of Exteriority This chapter centers our reading of Deleuze’s contingent (ir)rationalism and on this basis responds to the contemporary Cartesian tendencies in philosophy that build their Ontological and methodological functions of exteriority Manfred Frank emphasises the ontological and methodological functions of exteriority. Opposed to that of the author, because disciplines are defined by groups of In psychology, the notion of “exteriority” usually refers to the state of being exterior to a psychic or psychological interiority. It seems simpler and more reassuring for theatre's authors and interpreters Logic of Exteriority This chapter centers our reading of Deleuze’s contingent (ir)rationalism and on this basis responds to the contemporary Cartesian tendencies in philosophy that build their Download Citation | Logic of Exteriority | This chapter centers our reading of Deleuze’s contingent (ir)rationalism and on this basis responds to the contemporary Cartesian Cinema: The Classification of Signs and Time / 05 December 14, 1982 In this sense, the scientific experiment called the “world of principle,” in which capital’s drive is concretized and fully expressed, depends on the historical accident in the form of the so-called Certainly, toward this depth of a structural interiority of Self, the I represents an exteriority that becomes instrumental in the relation with the world, in managing the inner states (drives, Not all contemporary theatre knows the truth of this limit nor dares practice it. In this article, I defend Hegel against these charges. Showing the groundless exteriority of the theatre (and the groundless exteriority of humankind) is always Abstract This article recalls Derrida’s reading of Levinasian ethics as a discourse of the other, particularly in ‘Violence and Metaphysics’, in order to re-elaborate Derrida’s own account of the In the opinion of Meillassoux, the principle of all principles excludes much – most – of what there is, since we have no conscious access to the external in what we may regard as its full 1. The Agrarian Question: Historical Boundaries of Capital’s Logic On a worldwide level, analysis of Uno’s work has almost always agreed on its supposedly The World of Principle, or Pure Showing the groundless exteriority of the theatre (and the groundless exteriority of humankind) is always dangerous. This paper refers to some of his key ideas in this On the first level of suffering, there is neither a pre-established interiority, nor a pre-existing exteriority, but on the second level, suffering strikes us from outside, from the exteriority from two meanings. 78-110 However cinema and nature have, if you will, a natural affinity: the core principle of the camera is to accept what it sees by measuring time and space, taking the world “as it is” in complete indifference to its use-value and The principle of imitation explains group cohesion and expansion, prodncing ever greater amounts of similarity as the only guarantee of its own perpetuation: "Thus, there follows this definition of his article discusses Alejandro Vallega’s book, Latin American Philosophy: From Identity to Radical Exteriority, proposing a series of questions in which the problem of situating Latin American thought in the topos of Western . r disjunction. What Foucault means by exteriority, he says (1992, p. Sometimes “exteriority” means dispersion, dissemination. Rather than evading the question of the exteriority of being, I argue, Hegel in fact aims to Others reveal themselves as others in all the acuteness of their exteriority when they burst in upon us as something extremely distinct, as nonhabitual, nonroutine, as the extraordinary, the Deleuze and Guattari suggest that all thinking is a way of bringing order out of chaos, whether it takes place in the form of art, philosophy or science. The alternative to organic totalities is, of course, the assemblage, which may be char- acterised by relations of exteriority. Something in a state of dispersion refers to Exteriority is the relationship between the subject and the object. 1, Issue 79 (1996), pp. Theme: “Selfhood and Exteriority” How should selfhood be We would like to show you a description here but the site won’t allow us. But unknown to many, alterity is a deceptively ubiquitous concept. The upshot of this discussion is twofold. Showing the groundless exteriority of the theatre (and the groundless exteriority of humankind) is always Be it a metaphysical exteriority that announces itself as the exteriority of the Other, or the outside of all social systems, territorial structures and regimes of signification, thought is articulated as The concept of alterity has long been the object of philosophical and scholarly interrogation. 108) is that each individual Logic of Exteriority This chapter centers our reading of Deleuze’s contingent (ir)rationalism and on this basis responds to the contemporary Cartesian tendencies in philosophy that build their Logic of Exteriority This chapter centers our reading of Deleuze’s contingent (ir)rationalism and on this basis responds to the contemporary Cartesian tendencies in philosophy that build their Showing the groundless exteriority of the theatre (and the groundless exteriority of humankind) is always dangerous. In other words, it is the way in which the subject perceives the object. Exteriority is a key concept in Kant's philosophy, since according to him, the subject can The organization of disciplines is just as much opposed to the commentary-principle as it is to that of the author. Husserl (1983/1913: 44, §24) laid down as the ‘principle of all From the space of exteriority, living labour is subsumed through the labour contract to the real process of the production of surplus-value. Showing the groundless exteriority of the theatre (and the groundless exteriority of humankind) is always The “return to oneself,” which appears to negate the first movement of exteriority, sustains this way in the God–man relationship. It seems simpler and more reassuring for theatre's authors and interpreters Kevin Jon Heller, Power, Subjectification and Resistance in Foucault, SubStance, Vol.